About Arts for Social Cohesion
What is Arts for Social Cohesion?
Arts for Social Cohesion strengthens connections within and between communities — the kind of connections that:
help organizations with issues like retention;
make it easier for neighbors to come together after a disaster — and then keep coming together well beyond;
help groups navigate fragmentation.
Arts SoCo’s tools are the unique capacities of the arts, together with design principles for connection across differences.
Arts SoCo assists partners in realizing their aims — aims where quality and depth of relationships drive success. Partners range from Oxfam America and the TogetherUP Institute to Massachusetts League of Community Health Centers and Bethel African Methodist Episcopal Church.
Arts SoCo is building a systematic, replicable and trainable arts-based approach to increase cohesion. To hone its methodological precision, Arts SoCo partners with rigorous researchers. Examples include Dr. Nichole Argo, social psychologist and author of the Belonging Barometer, measuring how Arts SoCo’s cohesion processes accelerate the formation of a civic hub cohort spanning political, business, faith, identity, health and social action organizations including town departments; Incevia Policy Partners, specializing in community engaged and participatory research on thriving communities, evaluating Arts SoCo cohesion processes with members of an African Methodist Episcopal church and a Reform Jewish congregation; and Dr. Sindiso Mnisi, a legal and social justice scholar studying Arts SoCo cohesion impacts on a college campus through an Ubu-Ntu framework. Such work aids Arts SoCo in developing an evidence base to increase recognition of arts-based cohesion interventions’ contributions across contexts and sectors.
Founded in 2024, Arts SoCo channels its directors’ decades of high-level artistic, pedagogical and facilitation expertise to an explicit social change mission. In Arts SoCo’s first year, Boston’s Center for Combating Antisemitism (CCA) identified Arts SoCo as one of three “high potential and high impact…strategic community-based projects well-positioned for moving the needle” toward deeper cross-community understanding. Arts SoCo was the sole arts-based initiative. Independent evaluation (Incevia Policy Partners) of the CCA-funded cohesion processes shows deepened humanization and stereotype disruption between participants from the African Methodist Episcopal church and Reform Jewish temple still holding 7-8 months after the processes, despite divisions intensified by the Gaza War.
(Quotes from Center for Combating Antisemitism; Melissa Garlick, Associate Vice President, Center for Combating Antisemitism)
WHO LEADS Arts SoCo?
Arts SoCois led by Regie Gibson, inaugural poet laureate of the Commonwealth of Massachusetts, and composer/educator Guy Mendilow.
Arts SoCo’s strength lies in synthesizing:
Rigorous artistry. For example, Regie is MA’s inaugural poet laureate. Guy has been arranging for/directing ensembles on international stages since age 13 (e.g., National Concert Hall, Taipei, Taiwan). Both honed their craft touring and directing on leading performing arts stages since 1998, from Celebrity Series of Boston and “Promised Land” at Oprah Winfrey’s home to the Krannert Performing Arts Center;
Pedagogical expertise (e.g., Professorships at Berklee College of Music; Advanced pedagogy degrees; Residency design from the Navajo Reservation and rural Midwest to metropolitan centers since 1996);
Best practices in social psychology, emphasizing seemingly small, precise moves that, when carefully tailored, targeted and timed, make long-lasting, even snowballing impacts in people’s beliefs and inferences about themselves, each other and social situations.
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Arts SoCo’s Compass
Arts SoCo is guided by three generations of family lifework efforts to create spaces where people who were considered “less than” would be respected as equals worthy of full regard. For example, Guy’s maternal grandparents smuggled Jews out of fascist Hungary in WWII, then founded a residential humanist home for youth at risk premised on full societal integration. Guy’s paternal grandmother founded Yad LaKashish / Lifeline for the Old striving for elders' dignity, sense of purpose and contribution — whether European, Mediterranean or North African — since 1962. Arts SoCo also draws on its directors’ lived experiences and background in strengthening dimensions of belonging, verified by decades of replicated social psychology studies, showing that:
People can afford to be more collaborative, creative and innovative in relationships in which they feel:
— Valued as people and for their contributions;
— Agency (rather than being acted-upon); and
— Safety to express perspectives and experiences without fear of punitive repercussions (e.g., Dweck, Cohen, Edmondson);
Such relationships form a social infrastructure persisting beyond any single agenda, increasing a community’s capacities to navigate current and unknown future challenges (e.g., Industrial Areas Foundation);
Strengthening these relationships is accelerated by crafting situations, not fixing people. People naturally respond differently to perceptions of the extent of threat vs safety, however subtle or tacit. Such inferences about others, self, and social situations are not fixed. They are often readily amenable to shifts through situation design. (Walton, Cohen)
The arts are uniquely potent for crafting emotional conditions. Artistic experience helps crafts conditions for positive inference shifts: Being moved by a person’s story increases empathy, elevating shared identities above differences. The curiosity to understand experiences & circumstances underlying someone’s perspectives and choices requires neither agreement nor equivalence (e.g., Aron)
Such relationships are their own reward as sources of wellbeing and joy (e.g., Walton)
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Not 9-1-1: Expanding, Cultivating, Reimagining
Arts SoCo does not provide emergency intervention (e.g., when an issue becomes too hot). That is the work of conflict mediators. Instead, Arts SoCo helps build the muscle that groups flex to constructively engage together.
We work in three main contexts:
Expanding — helping members of already strong, collaborative groups see more of one another. Further deepening bonds strengthens trust, psychological safety and dignity that, in turn, increase a sense of wellbeing and collaboration.
Cultivating — helping communities strengthen relationships proactively, preventing inevitable tensions from erupting into crisis. The stronger this relational foundation is, the greater the group’s the greater the group’s capacities to collaborate through friction, channeling disagreement into productive adaptation together.
Reimagining — helping those so exhausted from the stuckness of us vs. them that they become willing to try something bold: pause, step back from “the issue” and complicate the narrative (!) — beyond the monster masks pinned on each other. What have “they” been through that brings them to see, believe and choose as they do? What matters to them in their lives? What are their hopes and fears? While necessitating neither agreement nor endorsement, understanding more of each other’s complex humanity and underlying values opens possibilities for perceptions about disconnect to loosen, making paths forward together at least conceivable. Subsequent mediation efforts building on this relational foundation are often more effective (2).
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Arts SoCo's History
Founded in 2024, Arts SoCo builds on two decades of the Guy Mendilow Ensemble's touring and residency experience. The organization also incorporates a two-year piloting phase (as Inquiry Arts) that tested initial methodologies. In bringing on Regie Gibson as Co-Artistic Director, Arts SoCo also draws on his extensive performance and pedagogical expertise since 1998, and on the seven multidisciplinary productions Regie and Guy have co-written and co-directed since 2017. Core cohesion processes were likewise honed for years prior to organizational launch. For example, Regie steadily evolved Ponder to Page across myriad iterations with hundreds of students since 2019 while the Listening Lab extends back to Guy’s organizational consensus facilitation and training leadership since 1997.
While the founders' previous artistic work generated social benefits, Arts SoCo formed to make group resilience and social cohesion the primary mission, developing and testing methodologies integrating evidence-based applied social psychology with artistic and pedagogical designs.
Citations
1. See Ripley, A. (2018, June 27). Complicating the narratives. Medium. https://thewholestory.solutionsjournalism.org/complicating-the-narratives-b91ea06ddf63 and also
Coleman, P. T. (2021). Complicate — embrace contradictory complexity. In The Way Out: How to Overcome toxic Polarization. Columbia University Press. https://doi.org/10.7312/cole197402. See for example Bruneau, E. G., & Saxe, R. (2012). The power of being heard: The benefits of ‘perspective-giving’ in the context of intergroup conflict. Journal of Experimental Social Psychology, 48(4), 855–866. https://doi.org/10.1016/j.jesp.2012.02.017 and also
Boca S, Garro M, Giammusso I, Abbate CS. The effect of perspective taking on the mediation process. Psychol Res Behav Manag. 2018 Sep 27;11:411-416. doi: 10.2147/PRBM.S168956. PMID: 30310336; PMCID: PMC6166753,
https://pmc.ncbi.nlm.nih.gov/articles/PMC6166753/pdf/prbm-11-411.pdf
and also White, S., Schroeder, J., & Risen, J. L. (2021). When “enemies” become close: Relationship formation among Palestinians and Jewish Israelis at a youth camp. Journal of Personality and Social Psychology, 121(1), 76–94. https://doi.org/10.1037/pspi0000331
and also Merrilees, C. E., Taber-Thomas, B. C., & Klotz, M. (2024). Promoting radical empathy: Changes in empathy and perspective taking at a youth summer camp that centers restorative practices. Conflict Resolution Quarterly, 42(2), 279–288. https://doi.org/10.1002/crq.21445